A while back (and by that I mean a few years ago), I wrote a post that highlighted three great Kate Mara movies. To this day, it remains one of the most frequently read posts on this blog, which in turn, suggests that I should probably update it one of these days. Until then, I’m … Continue reading
1.) Ah, nothing screams, “I’m making an American director making a movie set in Italy than a credit sequence featuring Volare. 2.) Oh, cool. Is this going to be told from the perspective of another character and then have everything changed at the very end. 3.) It is not. The traffic cop was just introducing … Continue reading
